An Unearthly Child (serial)

The following article is written from an Out of Universe perspective.

An Unearthly Child
Doctor(s)	First Doctor
Companion(s)	Ian Chesterton Barbara Wright Susan Foreman
Featuring	Za Hur Horg
Main Enemy	Kal
Main Setting(s)	Shoreditch, London, 1963 Earth, 100,000 BC
Key Crew
Written by	Anthony Coburn
Directed by	Waris Hussein
Produced by	Verity Lambert
Release Details
TX Date(s)	23 November-14 December 1963
TX Time	17:15
Original Release	BBC TV
Format	4x25 minute episodes
Chapter	Chapter One
1st of 396 released in Doctor Who  →
1st of 743 released in all  →

Doctor Who: Remastered
Key Crew
Produced by	Niel Wray
Executive Producer(s)	Michael Okuda Denise Okuda David Renwick
Release Details
TX Date(s)	23 November 1999
Original Release	UPN
Format	1x52 minute episode
1st of 88 released in Remastered  →

An Unearthly Child was the first story of Season 1 of Doctor Who. It was written by Anthony Coburn, directed by Waris Hussein and featured William Hartnell as the Doctor, William Russell as Ian Chesterton, Jacqueline Hill as Barbara Wright and Carole Ann Ford as Susan Foreman.

It saw the first appearances of the Doctor, Susan Foreman, Ian Chesterton and Barbara Wright, played by William Hartnell, Carole Ann Ford, William Russell and Jacqueline Hill, respectively. Ian and Barbara became the Doctor's first companions, unwillingly whisked away on the Doctor's TARDIS. At the end of the fourth episode, "The Firemaker", the jungles of the recurring alien world of Skaro (not named in this story) were briefly seen before its first full appearance in the following serial.

This adventure also introduced the Doctor's TARDIS, which, in spite of it usually possessing the ability to change its outward appearance (having already previously disguised as an Ionic column and as a sedan chair), was stuck in its most recognisable form of a police box after leaving London in 1963.

Synopsis

Barbara Wright and Ian Chesterton, two humble teachers during 1963, are surprised by a bright student named Susan Foreman. Confused by the contradictions in Susan's knowledge, Barbara had decided to visit her home, only to learn that the address on record is a junkyard. She and Ian decide to wait at the location until Susan or her grandfather show up. There, they discover a junkyard inhabited by her grandfather, simply known as "the Doctor", and he doesn't want them lurking about.

When the teachers refuse to leave, they discover that an ordinary police box is actually bigger on the inside. The Doctor decides they know too much about his and Susan's otherworldly origins and takes them on a journey across space and time in his TARDIS, the place he and Susan now call home.

Plot

An Unearthly Child

On a foggy London night, a policeman makes his rounds, passing I.M. Foreman's junkyard at 76 Totter's Lane. In the junkyard stands an incongruous-looking police box emitting an eerie hum.

Another day of classes ends at the Coal Hill School. History teacher Barbara Wright and science teacher Ian Chesterton compare notes on an enigmatic student, Susan Foreman. Her knowledge of history and science surpasses the rest of the class and possibly the teachers. However, she has very curious gaps about present-day culture — for example, she forgets that England has yet to adopt a decimal currency. Barbara has encouraged her to specialise in history, but Susan is resistant to her suggestion about in-home tutoring, saying her grandfather, with whom she lives, doesn't like strangers. Barbara tells Ian she got Susan's address, 76 Totter's Lane, from the school secretary. She went there and found, not a house, but a junkyard. They find Susan so Barbara can lend her a book on the French Revolution. Ian offers Susan a ride, but she declines. Ian and Barbara resolve to follow her home. After they leave the room, Susan reads the history book and remarks, "That's not right!"

Arriving by car at 76 Totter's Lane, Ian and Barbara see Susan enter the junkyard alone. Following from a distance, they search the junkyard for her in vain. Ian is transfixed by a police box there which hums. Touching it, he exclaims that it's alive. They hear someone coming and hide. An old man approaches the police box and unlocks it. The teachers seem to hear Susan's voice from inside, greeting him. They confront the old man, who brusquely shuts the door and refuses to acknowledge that anyone is inside. When they threaten to go to the police, the old man calmly dismisses their claims. The door opens from the inside. Hearing Susan's voice again, the teachers push past the man. They are astounded to find themselves in a much larger space, with futuristic electronic panels and a central hexagonal control console. Susan is shocked to find her teachers there. The old man, her grandfather, is furious at their untimely intrusion.

Susan and her grandfather, who calls himself simply the Doctor, say the police box is actually a disguise for their space-time ship, the TARDIS. They are alien refugees from another planet and time. Despite Susan's protests, the Doctor prepares the TARDIS for takeoff, saying he must kidnap Ian and Barbara to protect Susan and himself. The sudden takeoff renders the two schoolteachers unconscious. The TARDIS arrives on a Palaeolithic landscape, over which falls the shadow of a man.

The Cave of Skulls

The shadow is of a man dressed in animal skins. He watches the TARDIS ominously.

A tribe of cavemen are gathered around one of their members, Za. Za is the son of the tribe's previous leader, who never taught his son the secret of making fire. As Za futilely tries to make fire, a female tribe elder throws scorn on Za's abilities and states that Kal, a stranger from another tribe, would be a far better leader. This frustrates Za. Hur, a young cavewoman, tries to pacify him but also warns him that if he loses his position as the leader of the tribe he will lose her; her father is intent on her bearing children for the leader.

Back at the TARDIS, Ian and Barbara regain consciousness to find the Doctor and Susan puzzled over readings displayed on the TARDIS' main console. The Doctor tells them they have gone back in time. This annoys Ian, who demands concrete proof. The Doctor opens the door, revealing the barren desert, and all four go outside. The Doctor professes confusion as to why the TARDIS has retained the shape of a police box. Ian apologises to Susan and Barbara for stubbornly disbelieving the Doctor's story. Susan is also surprised that the TARDIS is still in the shape of a police box. The Doctor is elsewhere, looking for samples of rocks and plants to estimate the current date when the caveman who was watching the TARDIS sneaks up on him and attacks him. His three companions hear him shout and run to his rescue. When they get there, all they find is the Doctor's bag, hat and Geiger counter smashed. Susan hysterically runs off to look for him. Ian and Barbara soon follow but not before Ian finds the sand is freezing cold.

Horg, Hur's father, tells Za that Kal claims he knew how to make fire in his old tribe. Za angrily responds that Kal's tribe all died out. Kal would have died too if this tribe had not saved him.

Hur again warns him: Kal is bringing in meat and winning favour amongst the tribe. Za says if he has to kill a few people to exert his authority, he will. At this point, Kal, who attacked the Doctor, comes in with the old man's unconscious body. Kal tells the tribe that he saw the Doctor make fire and he should be the leader of the tribe now, that the Doctor had immense strength and fighting prowess. Za scorns and mocks Kal, but Horg states that Kal is doing far more for the tribe than Za and if his captive can create fire, Kal should be made the leader. Za says the Doctor should be taken to the Cave of Skulls and sacrificed so Orb will return.

At this point, the Doctor wakes up. He says he can create fire for the whole tribe without any need for killing, but he soon realises he has lost his matches. When he tells the tribe he will need to go back to the TARDIS before they get fire, Za mocks Kal, saying his promise of "an old man who can make fire" was lies. The tribe turns against Kal. In his frustration, he pulls his knife on the Doctor. Kal is on the verge of killing him when Susan, Barbara and Ian attack the tribe, knocking Kal off the Doctor. The companions are soon overpowered. Kal approaches Barbara. Before he can kill her, Za gets in the way and says the four must be taken to the Cave of Skulls and sacrificed as a gift to Orb. The Doctor and his companions are led away. Horg tries to take Hur from Za, but Za insists that with the Doctor's sacrifice, Orb will return and fire will return also. The tribe will retain Za as the leader. Horg seems to accept this.

The four travellers are sealed in the tribe's Cave of Skulls with the bones of many prisoners - where Ian notices that the skulls have all been split open.

The Forest of Fear

Still in the Cave of Skulls, Ian, Barbara, and Susan try to escape; however, the Doctor seems disconsolate and unhelpful. Ian reprimands him, prompting the Doctor to suggest that they use the bones of the dead to cut the ropes that bind their hands and legs. The group begins to unify.

Back at the main cave, the tribe is asleep. The female elder wakes up. She steals Za's knife and heads towards the Cave of Skulls. Unbeknownst to the old woman, Hur has seen her. When she arrives at the Cave of Skulls, she is met by a large stone that blocks the door. However, she seems to know an alternate route.

Inside the Cave of Skulls, the Doctor and the others are trying to free Ian so he can defend them if needed. Susan screams as the elder bursts through a gap in the undergrowth that blocks the cave.

Hur wakes Za and calls him out of the cave to inform him that the elder took his knife and headed out of the cave. They decide she went to the Cave of Skulls. Hur believes the elder is afraid of fire, so she will kill the four to prevent the tribe from learning the secret.

However, the elder is using the knife to free the four, whilst outside Za and Hur try to move the stone. Just as the stone budges, the four escape out the back of the cave. Za, frustrated, throws the elder to the floor. Hur convinces Za that the only way he will retain the tribe's leadership is by capturing the Doctor and harnessing the fire. Za and Hur plunge into the forest in pursuit of the Doctor.

The foursome are lost in the forest, trying to find their way back to the TARDIS. Yet again, Ian and the Doctor fall out as Ian takes the lead. Whilst they argue, Barbara trips and falls. She lands on a dead boar and screams which alerts Za and Hur. The movement of the undergrowth impels the Doctor and his companions to hide.

While Za and Hur catch up with them, Za is attacked by a wild beast and is injured badly. Against the Doctor's wishes, Barbara and Ian try to help Za. The Doctor tries to stop Susan from going, insinuating that he would leave Ian and Barbara behind. Ian and Barbara help Za, much to Hur's bemusement. She does not understand the idea of friendship, and is openly hostile to Susan, thinking she is trying to steal Za from her. The Doctor picks up a stone and makes for Za but Ian stops him. The Doctor claims that he was going to get Za to draw a map with the stone showing the way to the TARDIS. The Doctor reminds his companions that the tribe elder is still with the cavemen. He worries she may wake them and set off in pursuit of the travellers. Ian builds a makeshift stretcher to carry Za back to the TARDIS to heal him there.

Back at the settlement, Kal has returned to the cave to find it empty. He questions the prostrate elder, who says she set the Doctor and his companions free. Kal kills her. He returns to the tribe to inform them that it was Za who let the Doctor free so he could keep fire to himself. The tribe are sceptical and Kal says the elder will back him up. When Kal returns to the cave to "discover" the dead elder, he says it must have been Za who killed her. Kal declares himself leader and takes his new tribe off to find Za.

The Doctor and his companions happily find the TARDIS. However, their escape attempt is foiled when they see the tribesmen appear. They turn to flee but they find the way blocked by Kal and the other tribesmen...

The Firemaker

The four travellers are returned to the encampment. At first, the tribe is hostile to Za and his friends, especially when they accuse him of killing the tribal elder, but the Doctor convinces the tribe that Kal killed Old Mother by tricking Kal into showing the tribe his bloody knife. The Doctor and Ian lead the tribe in an attack which drives Kal into the forest. The recovered Za is again declared leader, but instead of expressing his gratitude by freeing the travellers as the Doctor expected, he orders them returned to the Cave of Skulls where he will either learn the secret of fire from them or sacrifice them to Orb.

In the Cave of Skulls, Ian makes fire for Za, using friction for a spark, hoping this gift will convince the tribe to set them free. Za comes to speak with them and is entranced by the fire. Ian says that in his "tribe" all members know how to make fire. Za asks Ian if he is the leader of his tribe. He responds (with a nod to Susan) that the Doctor is the leader.

Meanwhile, Kal sneaks back into the camp. He kills the guard outside the cave and attacks Za. Kal sees the fire and immediately slashes at Za with his axe. Za grabs a thick branch to defend himself and breaks Kal's axe with it. Finally, Za gains the upper hand, chokes Kal in a headlock, and knocks him to the cave floor. Za picks up a big stone, while Barbara turns her head away, knowing what Za intends to do will be too gruesome to watch. As Kal's neck is being strained, Susan looks away in horror. Za smashes the stone on Kal's head with a skull-crushing blow, killing Kal and confirming his leadership; the Doctor is visibly disturbed by this barbaric action. With fire at his disposal, Za is now undisputed. However, he still leaves the Doctor and his companions to languish in the cave.

After going out hunting, Za decrees that the travellers will merge with his tribe rather than leave and orders them confined to the cave indefinitely. Meanwhile, the four try to think of a means of escape; absentmindedly, Susan places a skull in a flame. This leads Ian to devise a plan to scare and distract the tribe enough to let them flee. Four skulls are placed on top of burning torches. This ghoulish vision distracts the cave dwellers, allowing the travellers to escape into the forest. This time, the four travellers manage to make it back inside the TARDIS; the Doctor just about enters before the tribesmen catch up with them. The TARDIS dematerialises as the tribesmen throw spears at the craft, leaving them staring in amazement. Za, however, looks on in defeat.

The Doctor explains that he has no idea where or when they will end up next because the TARDIS is not displaying any data to help him direct the ship. In time, the scanner shows their new destination, a mysterious jungle with strange-looking trees. Before they go out to explore the planet, the Doctor asks Susan to check the radiation levels. They are at the normal level. As the four leave the console room to clean themselves, the radiation detector's needle passes into the "Danger" zone...

Cast

• Dr. Who - William Hartnell
• Ian Chesterton - William Russell
• Barbara Wright - Jacqueline Hill
• Susan Foreman - Carole Ann Ford
• Za - Derek Newark
• Hur - Alethea Charlton
• Old Mother - Eileen Way
• Kal - Jeremy Young
• Horg - Howard Lang

Uncredited cast

• Policeman - Reg Cranfield
• Schoolgirls - Francesca Bertorelli, Carole Clarke, Heather Lyons, Mavis Ranson
• Schoolboys - Cedric Schoeman, Brian Thomas, Richard Wilson
• Tribesmen - Leslie Bates, Al Davis, Billie Davis, Roy Denton, Bob Haddow, Bill Nichols, Frank Wheatley
• Tribeswomen - Elizabeth Body, Jean Denyer, Veronica Dyson, Diane Gay, Brenda Proctor, Lyn Turner, Doreen Ubells
• Children - Antonia Moss, Julie Moss, David Rosen, Trevor Thomas

Crew

• Producer - Verity Lambert
• Script Editor - David Whitaker

• Writer - Anthony Coburn
• Director - Waris Hussein

• Lighting - Geoff Shaw
• Designer - Peter Brachacki and Barry Newbery
• Visual Effects - Visual Effects Department of the BBC
• Make-up - Elizabeth Blattner
• Music - Norman Kay
• Costume Designer - Maureen Heneghan
• Edited by - John House
• Vision Mixer - Clive Doig

• Title music by Ron Grainer
  • With thanks to BBC Radiophonic Workshop

Remastered

• Doctor Who Created by Sydney Newman, Donald Wilson and C.E. Webber

• Developed by Michael Okuda

• Executive Producers - Michael Okuda, Denise Okuda and David Renwick
• Producer - Niel Wray

• Visual Effects Supervisor - Dave Rossi
• Lead Colorist - J.H. Song
• Visual Restoration - Steve Roberts
• Sound Restoration - Mark Ayres
• Abridged Editor - David Ramirez

Memorable Quotes

To be added.

Background Information

Development

• Originally, the premiere storyline was to have been a serial by C.E. Webber that carried the working titles Nothing at the End of the Lane and The Giants, with An Unearthly Child initially scheduled to be the second serial of the first series; when Webber's storyline was rejected, Coburn's script was promoted to premiere and retooled accordingly.  The Giants, meanwhile, was partially reworked for Season 2 as Planet of Giants.
• The names for the Doctor's companions were originally to be Bridget ("Biddy") instead of Susan, Lola McGovern instead of Barbara Wright, and Cliff instead of Ian.
• Other proposals considered for the first story included The Living World, written by Alan Wakeman.
• The makers of the show originally considered the idea of having a functioning chameleon circuit but ruled it out on cost grounds, feeling it would have been too expensive to build a new, disguised spaceship for every story. At one point, they also considered making the TARDIS invisible.
• In the original script, Ian was Susan's form master, and called her "the all-time, A1, dyed-in-the-wool enigma of Coal Hill Comprehensive".
• The first school scene was re-written to reduce the tension between Barbara and Ian. In the original script, Ian says, "When I've had a bad day, I come in here [the staff room], and I want to smash all the windows." Barbara retorts, "It hasn't been a bad day", and Ian remarks, "You're just naturally like that?" Barbara replies, "I hope not. I've had another kind of day. A very puzzling kind of day."
• Ian and Barbara's relationship was originally much more overtly romantic. This was toned down by David Whitaker.
• In the original script, the cavemen make peace with the time travellers after Ian shows them how to make fire.
• The serial was originally going to end with the TARDIS materialising near a Frank Lloyd Wright-style house floating in the air. This was to lead into The Masters of Luxor, a story which was never produced as a TV story.

Pre-Production

• Rex Tucker was the original choice to direct the serial - he left after feeling that he should move on from the show.
• Actors who auditioned for the cavemen were asked to show their chests to see if they were hairy.
• In a DVD commentary, Waris Hussein stated that the fight between Kal and Za in episode four was one of the first things recorded for the story and that they had to find a way to link this pre-recorded footage to the rest of episode four during the actual studio recording. The reactions of the four cast members to this fight were also shot during this pre-production stage.

Production

• The episodes of this story went by different titles during the production stage. Working titles included "Nothing At The End Of The Lane" for the first episode; episode 3 was called "The Cave of Skulls", episode 2 was entitled "The Firemaker" and episode 4 was originally called "The Dawn of Knowledge".
• A pilot version of episode 1 was made and exists in various versions and contained a few differences.
• The pilot version was split up into two sections.
• Section 1 is nearly identical to scenes of "An Unearthly Child" set in the School, Ian's car and the Junkyard. Rather than reading the book Barbara has lent her, Susan plays with a fountain pen, dropping ink on a sheet of paper, creating a Rorschach pattern, then doodling with the resulting inkblot, creating a hexagonal image. (the same shape as the TARDIS control console) The resulting image alarms Susan. Some dialogue differences and technical problems occur during this section, including: Ian knocking over a dummy on the junkyard set; Barbara getting her foot caught in a doorway,; Susan flubbing a line of dialogue involving the chart placement of John Smith and the Common Men's hit single, and hastily correcting herself; and the camera running into a piece of scenery during the junkyard segment. This section ends with the teachers attempting to enter the TARDIS. Ian holds onto the Doctor as Barbara enters the ship, the actors freeze as someone says "Hold it there" and the screen goes blank.

• Section 2 is made up of three parts. Part 1 - Begins with Barbara, then Ian and the Doctor entering the TARDIS. A noticeable difference between this and the final version is that the interior of the TARDIS is visible as Barbara forces her way through the doors. This effect was not used in the final transmitted version or any stories of the original series, though it has become standard in the new series. This take continues to the end, complete with end credits. There is a noticeable issue with the TARDIS interior doors in this take.
• Part 2 - A short aborted second attempt to record the second half of the episode. Barbara crashes through the TARDIS doors, looking around the ship, the radiophonic sound of the TARDIS interior cuts off and the take is abandoned.
• Part 3 - The successful third attempt to record the second half of the episode. It runs from the teachers and the Doctor first entering the TARDIS to the end of the episode. One difference between this and the successful first take is that the Doctor calls Ian "school teacher" instead of "schoolmaster". This take is also complete with end credits.
• For the remounted Unearthly Child transmission the TARDIS prop had a wash of matte blue paint applied as well as a covering of matt black to dirty it down. This was supplemented by heavy distressing to the overall paintwork to give it a more weathered feel, as the original paintwork made the prop look too pristine as seen in the Pilot episode. However, the original Ealing Studio filmed inserts made prior to the studio recordings both for the Pilot and transmitted episode resulted in a continuity error surrounding the look of the TARDIS prop. In the establishing filmed shot of it standing on the barren landscape at the end of episode one and the beginning of episode two, as well as its dematerialisation shot in episode four, it reverts to its pristine condition; gloss blue paint and door handles on both the "Pull to Open" panel and the main entrance doors. The door handles were removed after the prop was refurbished for the studio recordings.

• According to the DVD info text, the striped top Susan wears in this and later stories belonged to Carole Ann Ford and were part of an alternate costume she suggested for the character after it was decided to abandon the more adult, futuristic look of the unaired pilot. According to the commentary, Ford's suggested outfit also included black leggings and boots, which were rejected as too sexy, so jeans were worn instead. Ford would later wear the same striped top in the 1966 film The Great St. Trinian's Train Robbery.
• Ford's hairstyle as Susan was created by famed stylist Vidal Sassoon.
• One of the actresses hired to play a cavewoman misunderstood her part; she thought she was going to be modelling furs for Dr No (1962), the first James Bond film, rather than wearing rags. When she learned she was to have some of her teeth blacked up, she stormed off the set and never returned.
• The bones in the Cave of Skulls were real bones taken from an abattoir and were very unpleasant to smell under hot studio lights.
• A lizard was accidentally brought on set along with the tropical plants for the forest - Carole Ann Ford took it home and kept it as a pet.

Filming locations

• Ealing Television Film Studios
• Lime Grove Studios (Studio D)

Production errors

• Jacqueline Hill noticeably dries on a line in "The Cave of Skulls" near the end of the final episode.
• When Ian and Barbara enter the TARDIS and talk with the Doctor and Susan, a boom mic can be seen for a few seconds.
• Before Ian gets zapped by the console, somebody in the studio calls out a cue for William Russell to make a pratfall.
• The studio can be seen several times during the TARDIS console room scene in episode 1.
• At one point, a stagehand can be seen through a gap of around 10 to 20 centimetres in one of the corners of the TARDIS.
• The great stone is evidently made of sculpted polystyrene. The stone wobbles after being touched and at one point squeaks, as Za attempts to move it.
• When the Doctor explains that he and Susan are "wanderers in the fourth dimension", it is obvious that the wall behind them is fake, as it has creased and piled up at the bottom.

Post-Production

To be added.

Reaction

Ratings

• "An Unearthly Child" - 4.4 million viewers
• "The Cave of Skulls" - 5.9 million viewers
• "The Forest of Fear" - 6.9 million viewers
• "The Firemaker" - 6.4 million viewers

Story Notes

• This is the first Doctor Who story broadcast on television and in any medium.
• The very first words in Doctor Who were spoken by Barbara Wright: "Wait in here please, Susan. I won't be long."
• This story is also known as 100,000 BC, The Tribe of Gum, The Firemakers and The Cavemen. See disputed story titles for more information.
• Leslie Bates has the distinction of being the first villain to ever be seen in the series. Although Jeremy Young played Kal in most of the serial, it is Bates's shadow that is seen at the cliffhanger conclusion of the first part.
• All episodes exist as 16mm telerecordings and are held in the BBC's Film and Videotape Library
• At no point is the name "Tribe of Gum" uttered on screen.
• Bernard Lodge was the uncredited designer of the original title sequence. (INFO: "An Unearthly Child")
• The Doctor smokes a pipe in episode 2 but is never seen to do so again after he loses both this and his matches on Stone Age Earth.
• It is never explicitly stated on-screen that the Stone Age episodes of the story are set on Earth. However, the comic story Hunters of the Burning Stone states that these episodes are set on Earth.
• Due to the original airing being overshadowed by news of the John F. Kennedy assassination the previous day, on Wednesday 27 November, the Programme Review board decided to repeat the first episode immediately before the second episode. This repeat gained a significant number of viewers — 6.0 million. Although such re-plays are common today (particularly on American networks), such a rerun was almost unheard of in 1963.
• The piece of music that is purported to be John Smith and the Common Men is called "3 Guitars Mood 2," by The Arthur Nelson Group. It is featured on a CD called Doctor Who: Space Adventures. This piece of music was also used in the documentary Verity Lambert: Drama Queen, a tribute to the late Verity Lambert which was first broadcast on 5 April 2008 on BBC4. "3 Guitars Mood 2" was reissued — this time credited to John Smith and the Common Men — for a special vinyl single in 2013.
• Susan claims that she made up the term TARDIS from the initials of Time and Relative Dimension in Space. It is later revealed that Gallifreyan society is several million years old. One explanation for this apparent inconsistency is proposed in the Season 28 story Lungbarrow. Other speculative explanations also exist.
• When the TARDIS dematerialises for the first time, both Ian and Barbara faint. This effect is unique to this story as Ian and Barbara show no further ill effects in subsequent dematerialisations (at least not of this nature and not caused directly by the TARDIS activating), nor do any future new TARDIS passengers.

• An Unearthly Child was the first Doctor Who story to be broadcast internationally, appearing on New Zealand's Christchurch regional channel CHTV-3 on 18 September 1964.
• The story was repeated on BBC Two on consecutive evenings from Monday 2 to Thursday 5 November 1981 as part of the repeat season The Five Faces of Doctor Who. The Radio Times programme listing for the repeat transmission of "An Unearthly Child" was accompanied by a black and white head-and-shoulders publicity shot of the Doctor, with the accompanying caption "The Doctor (William Hartnell) leads his companions into a strange land and the unknown dangers it holds... The Five Faces of Doctor Who: 5.40".
• This story was one of those selected to be shown as part of BSB's Doctor Who Weekend in September 1990.
• Episode 1 of this story was repeated on BBC1 on 18th December 1995 as part of The Nine Faces of Doctor Who repeat season.
• The remastered edition was aired on BBC Two between the 9-30 April 2000.
• On the official Doctor Who website, the individual pages of each episode of this serial credit William Hartnell as 'The Doctor', instead of his on-screen credit of 'Dr. Who'.
• An abridged version of the remastered edition of Episode 1 was used in The Name's Shakespeare, William Shakespeare.
• The omnibus version of the remastered edition of the story was also repeated on BBC Four on November 21, 2013, to celebrate the show's fiftieth anniversary.
• Het Vreemde Meisje, the first episode of the dutch adaptation of Doctor Who known as Dokter Wie was an adaptation of episode 1 of this story.
• The Cavemen, the seventh episode of the Polish adaptation of Doctor Who known as Doctor Who: Through Time and Space was an adaptation of episodes 2-4 of this story.

Continuity

• The Doctor tells Ian and Barbara that he and Susan are cut off from their own planet. (DW: The Name's Shakespeare, William Shakespeare)
• Shortly before departing 1963, the Doctor had arranged with a local undertaker to have the Hand of Omega buried in Shoreditch Cemetery. (DW: Remembrance of the Daleks)
• The Doctor, Ian, Barbra and Susan unknowingly met the Fourteenth Doctor the day before the events of the story took place. (MOV: Doctor Who: Genesis)
• The Master attempted to stop the events of this story from happening. (MOV: Doctor Who: Genesis)
• After arriving in the past, the Doctor is puzzled over why the TARDIS is still a police box. The Fourteenth Doctor travelled back to 1963 and unintentionally broke the chameleon circuit, shortly before this. (MOV: Doctor Who: Genesis)
• The Tenth Doctor wrote about the events of this story in a manuscript about his life. (DW: The Name's Shakespeare, William Shakespeare)

Remastered Edition

• The remastering project of the first six seasons of Doctor Who was formally commissioned by Paramount Television on 2 April 1998.
• The remastering would entail, clean up of the video and sound quality, some additional CGI effects and the more-lengthy, colourisation of all surviving episodes.
• An Unearthly Child was the first of the newly remastered episodes broadcast, first premiering on UPN on 23 November 1999, the 36th Anniversary of the original broadcast.
• Like with all the initial UPN premieres of Doctor Who: Remastered, the episode was edited into a 52-minute omnibus edition.
• The 52-minute version retained nearly all of An Unearthly Child but cut the following three episodes down significantly, to just a total of 27 minutes.