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    What if Doctor Who Wasn't Axed?

    Who Killed Kennedy? (episode)

    The following article is written from an Out of Universe perspective.

    Who Killed Kennedy? was the fourth story of Season 37 of Doctor Who. It was written by David Bishop, directed by Christine Gernon and featured Michael French as the Doctor, Laurie Holden as Sammy Thompson and Gillian Kearney as Lou Madison.

    Synopsis

    President John F. Kennedy was assassinated in DallasTexas on 22 November1963.

    Now, the publication of this volume reveals frightening new information about the assassination, the real reasons why the President of the United States had to die and an incredible plan to save the man known as JFK!

    These stunning revelations involve an ultra-secret military force disguised as a minor off-shoot of the United Nations and an international terrorist leader who has twice brought the world to the brink of nuclear conflict.

    For more than three decades the public has been fed lies, half-truths and misinformation. Now — despite government attempts to halt the publication of this volume — the complete, shocking story can be told.

    Plot

    To be added.

    Cast

    Original actors in episodes:

    Crew

    Memorable Quotes

    To be added.

    Background Information

    Development

    Conceiving the story

    • After the success of "Don't Blink", Sue Vertue and Steven Moffat were interested in doing another 'Doctor-lite' type story which follows a normal person being involved in the life of the Doctor.
    • Originally, David Bishop pitched "Who Killed Kennedy?" as a possible 35th anniversary for Doctor Who to be broadcasted in 1998 as part of Season 35. However, the story was not ready in time and was put on hold until a later date.
    • When, "Who Killed Kennedy?" was revived, about a year later, the idea came about to set the action concurrently to the events of the Jon Pertwee era of Doctor Who and have the main character investigate these events. David Renwick pushed to include original footage from Pertwee stories and use state of the art techniques showcased in both the 1994 Robert Zemeckis movie "Forrest Gump" and the Star Trek: Deep Space Nine episode "Trials and Tribble-ations". This would allow James Stevens to appear in original 1970s footage and to some extent interact with the original narrative.
    • In 2012, Bishop spoke about the naming of the main character, James Stevens: "During development of "Who Killed Kennedy?", the name of the protagonist flip-flopped between a few alternatives. He was called Jack Marshall in the original proposal before becoming James Stephens early in 1999. Steven Moffat wanted the character's surname changed to Stevens for reasons I can no longer remember. I preferred Stephens but felt it wasn't worth an argument. The character's name was derived from my own middle names, James and Stephen."

    Combining the past with the present

    • Many members of the senior Doctor Who Production Team as well as director, Christine Gernon, were initially worried about the feasibility of creating a story such as this on the budget of Doctor Who. However, Renwick persuaded them when he showcased the DS9 episode "Trials and Tribble-ations" and announced that he had shifted the budget around as well as raised some more money from the BBC and Paramount to allow the same Visual Effects team to work on "Who Killed Kennedy?" as well as give them a very similar budget as what they had on DS9. On top of this, technological advancement in just the previous couple of years had made the process much easier and cheaper.
    • To further tie into the feel of 70s era Doctor Who, composer Rob Lane composed the music for this serial in the style of frequent 70s composer, Dudley Simpson, including re-arranging existing leitmotifs in the style of Simpson. One scene, set in the context of "Doctor Who and the Silurians", includes a tongue-in-cheek homage to the music of Carey Blyton, however speaking in 2012, Lane said: "I did that as a joke for the fans. I'm going to be honest here, I found Blyton's music awful, completely wrong for Doctor Who. So, yes, my use of his style of music was used in the context of comedy and I was making fun of Blyton's score for the Silurians. However, I do believe fans thoroughly enjoyed it's usage."

    Production

    • Due to the story being shot on film, most of the footage from the episodes used were the film inserts, and video footage was used sparingly but the footage that was used were up-scaled and also given a 'film overlay' to match.
    • To recreate the performance of Jackie Lane, actor, Nana Visitor, was brought in to play Dodo Chaplet as seen throughout the 1970s.
    • According to William Snow, it was easier acting with stock footage than real people, due to the fact that they could watch the existing footage and observe exactly what the other person would be doing in the scene.
    • Reportedly, the cast and crew found it enjoyable and challenging adjusting to making the show in an 'old-school' style due to the difference in production in the 00s to the 70s.

    Reaction

    • This episode received a 7-Day Viewing Figure from BARB of 9.46m viewers. It ranked at 17th over the week.
    • David Renwick commented: "The story was just amazing, amazing all round. The crew, the technical people, the actors – they just threw themselves into it. They were all having fun. Just sitting on those sets, being on that bridge. It was a hoot, a real hoot. Everyone who worked on it should be credited. The enthusiasm was like a little virus that just kept spreading. It's very rare in television, where you're fighting the clock and you have to produce so much in a limited amount of time, to really lavish the care on an episode the way we did on this. The only regret I have is that we can't lavish that time and attention on every single serial." Also, Renwick was thrilled with the high ratings the story received and it's the critical response.
    • However, while most critics loved the story, some felt that it shows that Doctor Who has got to a point where it has to rely heavily on it's history and it's far too continuity bound.

    Story Notes

    Continuity

    Home Video Releases

    To be added.

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